Marisa D. Aceves. A-Lumina: Ribbon Composition 1. digital photography 2015.

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Light gently rides the top of the rippled, mirrored surface.  Umbers, pinks and reds pool upon waves of gold, settling wearily into small black pockets. This ribbon moves gracefully through space, bending and twisting with sound and mind.

After taking a much needed break last weekend, I decided to introduce a new Gallery to my website. On this post, I have included one of the photographs that is featured.  I first discovered the object in this photograph while I was cleaning my room in preparation for new flooring.  It’s like Christmas in June for the hungry photographer.  When it comes to photographic subjects, there are many possibilities, but only one will serve your purpose.  Once you have selected the object you want to photograph, you have to find its best angle.  In this case, it was the crinkled side of the object that held the most interest. The uneven surface reflected the light and colors around it providing an instant source of visual inspiration.


Across the street -Suburban Landscape 2: A red car passing Sunday afternoon

Abstract photo of a Suburban Landspcape

I believe that the seeded glass often used in the windows of older homes provides an excellent backdrop for the passage of time. It obscures the details of the subject giving the scene a sense of mystery, while still providing the the rough patches of color and the general forms that make up the landscape. As you can gather from the title, this seeded glass picture, was taken at a different time than the previous one that I had posted. The texture of the seeded glass remains the same, but the color scheme is warmer, and the shapes that are visible through the glass have changed. It has been my experience, that the quite moments in life are silent treasures waiting to be discovered and appreciated. For more information on this photography series you may check out my main website at : http// .

Satellite Series: Winds 1

Satellite Series: Winds 1

If you have ever visited this blog before, you will note that I take everyday objects like tinfoil, plastic containers, plastic parfait glasses etc. and I try to take them from a different angle or in different lighting so that the viewer may experience them in a new and unexpected way. In some of my paintings (example: the Satellite Series which I have currently posted on my main website, I use everyday objects to create a variety of textures. The everyday object is still an important part of the painting, but instead of functioning as the main subject matter or star of the show, it has more of a supporting role. The texture that the object leaves behind is used throughout the composition to create or add interest to the subject matter. I like to think that the mark or texture that each object leaves behind is evidence of the overall personality of the object; it is what makes each object unique, special. For instance, wash towels leave a decidedly mottled, grainy texture, while rubber jar grippers leave a playful, painterly, checkerboard weave. There are a number of objects that can be used; and these objects if used properly, give the work it’s character.