How To Determine Which Color Filter Is Best For Your Photographic Subject

Bubble Landscape (Red)
Bubble Landscape (Red). digital photography. acevesart.com

If you have never experimented with the color filters on your camera or photo editor, now is the time to try this useful exercise.

You have already chosen a specific photographic subject, but you have to determine what your are trying to say with that subject.

Whether it’s line, shape, or color that you are trying to emphasize, one has to maintain dominance.

In this demonstration, we will be covering color filters and how they affect the look and feel of the photograph.

Example #1: Bubble Landscape (Red)

Here is a an example of a photo which I have previously featured on this blog:

Bubble Landscape (Red)
Bubble Landscape (Red)

Bubble Landscape (Red). originally featured a bright swatch of red that led the eye into the picture, but the color was a little dull. After adding a small concentration of additional red using the color saturation filter, the subject of the photo comes to life as the plastic bubble texture appears to be floating over a brilliant red plane. The unusual texture coupled with the intense hue  create a decidedly modern statement.  As you can see, color is the dominant factor in this photograph, but let us examine how the look and feel of this same picture can change when we remove the red color that originally drew us in.

Bubble Landscape (RED) B&W version
Bubble Landscape (RED) B&W version

In this next example of the same picture, all of the color has been removed from the picture to create a high contrast, black and white monochrome version. When the color disappears, our focus is centered on the lines, forms and values present. Now the photo has an interesting, conceptual, almost industrial feel. Form is dominant, line follows. Notice how the repetitive forms of the bubbles create rhythm.

Bubble Landscape (RED) Sepia

In the third example we will move on to the sepia filter to see how it effects the picture. The sepia filter gives the photograph an antique feel that seems in conflict with the modern lines and forms. Instead of looking like a piece of metal or glass, the sepia lends itself to a more scientific interpretation. The photographic slide feels more like a cropped petri dish or a sample of the eggs or scales of a 19th century specimen. Again, form is dominant.

Bubble Landscape (RED) Blue TInt

For this last sample I used a concentrated cyan blue. Form is still strong, but once again, color becomes the main focus of the photograph.  The cool, cyan blue reminds us of the ocean.  The small plastic bubbles suddenly  have a new meaning as they gradually begin to take on the appearance of a school of jellyfish swimming in unison.

Example #2: Ornamental Op Landscape (Rose) 

If you have been following this blog, you will immediately recognize this picture:

Orna-mental Op Landscape- Rose

Line, Shape and Form work together, but color steals the show. The metallic green half sphere in the middle of the design seems to bust forth as brilliant oranges, greens and  magentas radiate from it’s center. It’s the color that draws you into the picture. The photograph has a floral theme even though the subject of the photo is not a flower. Color saturation was used to slightly intensify the color.

Orna-mental Op Landscape- Rose B&W

When we strip the photograph of it’s color, we begin to notice the difference that it makes on the way the same subject is interpreted. Now, the object looks like a large metallic eye, staring intensely at the viewer. While it still has somewhat of a floral look and feel, an uneasy surrealist/sci-fi effect is immediately attached to the object. High-contrast monochrome (black and white) has been used for decades, but your subject will help you to determine whether you feel that monochrome is appropriate for your photography theme.

Orna-mental Op Landscape- Rose Sepia

A sepia filter is then added to the monochrome and the photograph looks as though it were taken in the later part of the 19th century. The unusual subject looks like the eye of an unknown cryptid (unclassified creature), perhaps a once thought extinct species of fish. As we have discussed before in the previous example above, sepia added to a photograph immediately appears to give it an antique feel that sends us mentally and visually back to the era of the birth of photography.

Orna-mental Op Landscape-Blue

Finally, we end with a cyanotype blue filter which makes us think of the regular, geometric shapes  of water crystals or snow flakes. The icy, rich cyan blue also mimics the effect of looking into a  well. The repetitive lines, and shapes pull us into its’ unknown depths.

In conclusion….

I chose the vivid color version of both of these photos, because I wanted to draw the viewer in with color first as many people have an immediate, emotional attachment and reaction to certain colors. Most people are not as attached or attracted to common everyday objects as they are to people, pets and favorite locations. The challenge of every abstract (non-representational) artist, particularly photographers,  is to develop people’s interest in things that they would ordinarily dismiss.  So drawing people in with dramatic color helps to create interest were there is none.

The other choices that we have covered are certainly viable options for both abstract and representational photographic subjects. It all depends on what you are trying to convey to the viewer. Is there an underlying theme to your work? This information is important to consider as you compose and edit each picture as well as entire essays.

Don’t Let Them Stuff Your Turkey, Protect Your Work From Art Vultures Part 1: Copyright Infringement

Copy Pigment Landscape 2

Marisa D. Aceves. Pigment Landscape 2: digital photography acevesart.com

There are different types of birds, birds we watch, birds we eat and birds that could potentially eat us if we leave ourselves open and vulnerable.

Which category of birds would you like to flock with?

Most of us would never dream of admitting that we have at one time or another, in the course of our art careers, left our work open to art vultures.

Everyday the internet is populated by students, professional artists and Saturday night dabblers looking for ideas for their art.

Maybe today, they’ll finally find what they are looking for.

Perhaps their next successful sale will be YOUR art.

Does this scenario scare you?

Does it make you angry?

IT SHOULD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Understandably, you might still be in a state of denial.

At first you may think that what I’m proposing is stupid and paranoid or a variety of other colorful expletives, but copyright infringement happens all the time.

The unauthorized use of your intellectual property is probably one of the biggest betrayals of your trust, yet this current age of information gives a variety of individuals with questionable intentions easy access to your artwork.

How can you protect yourself from the misuse of your work and the potential loss of future income?

You must first familiarize yourself with copyright law.

According to the website Lawmart.com, the definition of copyright is as follows:

“Copyright is a form of protection provided to the authors of “original works of authorship” including literary, dramatic, musical, artistic, and certain other intellectual works, both published and unpublished. The 1976 Copyright Act generally gives the owner of copyright the exclusive right to reproduce the copyrighted work, to prepare derivative works, to distribute copies or phone records of the copyrighted work, to perform the copyrighted work publicly, or to display the copyrighted work publicly.

The copyright protects the form of expression rather than the subject matter of the writing. For example, a description of a machine could be copyrighted, but this would only prevent others from copying the description; it would not prevent others from writing a description of their own or from making and using the machine. Copyrights are registered by the Copyright Office of the Library of Congress.”

For additional information check out this link to the Lawmart article Copyright vs. Trademark vs. Patent http://www.lawmart.com/forms/difference.htm

What many artists fail to realize is that if you are found guilty of copyright infringement, you can receive a jail sentence.

Here is some additional information about copyright that will help to keep you and your work safe.

 How to Apply For a  U.S. Copyright 

 How to Apply For a Copyright in the U.K. 

 How to Apply For a Copyright in Canada 

How to Apply For a Copyright in the Philippines

 How to Apply For a Copyright in India

 Copyright Registration

 Copyright Infringement 

How to Report Copyright Infringement

What Are the Penalties for Online Copyright Infringement?

There is more information on this subject that I have not yet included.  I will try to make sure to update and add to this information as soon as possible.

If you have any questions regarding this link article on copyright protection please contact me.

Feel free to share this post with anyone that you think may need it.

If you are familiar with this subject and have knowledge or expertise to add to this article please let me know!

She Believed She Could So She Did: How Belief Effects Our Artistic Potential

 Copy Pigment Landscape-Crevice

Marisa D. Aceves. Pigment Landscape: Crevice. digital photography http://www.acevesart.com/

Not too long ago, I caught my mother browsing  the virtual pages of one of her favorite online sites that funds and features innovative art/design related small businesses, The Grommet.

Eventually, she came upon a lady that used her creativity to come up with several unique furniture pieces.

When the lady was asked how she took her present collection from idea stage to a marketable product, she confidently stated, “I believed I could, so I did.”

Whether we are involved with fine art, arts and crafts, performing arts, literary arts or design, we all have to sum up the courage to take our product to market.

No one told this particular lady it was going to be easy.

They probably neglected to point out the many obstacles she would encounter, the costs she would incur, or the motley tribe of naysayers that would try to convince her that she didn’t have the intelligence or the talent to make her idea a reality.

Nevertheless, she soldiered on, either oblivious or resistant to the many challenges that lay ahead until she pitched her product to the right venue.

What is the difference between the lady and her creative counterparts still struggling with the idea of promoting their work?

Unlike her peers, she believed with all her heart that her product had value and was valuable to others.

When you truly believe that you are producing something of value, you make more of an effort to find an audience that will appreciate what you create.

No matter what you like to tell yourself, belief really does play a big role in your productivity and whether or not you reach your true potential.

Despite spending the necessary time it takes to develop your skills, art is largely a subjective experience.

Some will love what you do, others will have a different preference.

Here are some of many reasons why people avoid their creative destiny and how to overcome them:

1)  Operating emotionally instead of rationally – As an artist, you rely to a certain extent on what other people say and do.  However, you should not let your negative emotions about perceived failures, mistakes and disagreements determine your future success.  Sometimes, you have to consider a more rational approach to your business and art making. If you’re not making mistakes along the way, you’re not growing. There must always be room for growth and improvement. Otherwise, you’re dead and your art business is dead.  You’re not your mistakes or career disappointments, they have no power over you unless you let them.

2) Operating your business exactly the way others do – While observing what works for others and applying it to your business is not a bad thing, trying to operate it exactly the way someone else does may not be what is best for you. If you feel that your business and business approach is not your own, the resentment you feel may cause you to want to distance yourself from what you used to love. Never lose what makes you unique, it will set your art business apart from others, but refrain from feeling obligated to lose you individuality in the process.

3) Giving into the opinions of others – No matter where you are in your career, it’s easy to get discouraged when colleagues try to tear you down and belittle your accomplishments. You can be their puppet, letting them guide you to places of greater isolation, lower self-esteem, and overwhelming negativity or you can politely wish them well and use their refusal to be professional and positive to fuel your desire to see your ideas, dreams and visions to fruition. Take back your power and work to make it happen.

In the course of pursuing your artistic passion, you may find your business takes a different direction then you initially thought it would, but at least you can continue with the realization that you didn’t give up.

When you take the time to think about it, that is a victory worth celebrating!

As you explore the artistic potential that this period in time provides, I hope that you not only grow in your understanding of your individual discipline, but also in the confidence it takes to share and communicate with others.

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Why Having A Back-Up Plan Provides Greater Flexibility For Your Art Business

DSCN5348 copy 2

Marisa D. Aceves. Bubble Landscape 3 (Vivid and Juicy). digital photography http://www.acevesart.com/

Some people give up their dream.

It’s sad, but it happens all to often.

When it does, years upon years of disappointment and resentment build.

Then anything mildly associated with creativity pricks pride and pushes buttons.

Nothing is ever satisfying; life has lost its luster.

Why do many otherwise creative people stop making art in times of extreme adversity while their peers continue to freely express themselves no matter what the consequences?

The answer is simple.

Plan A didn’t work.

What is Plan A?

Plan A is the traditional well-traveled route to recognition and success.

The scenario may start a little something like this…:

An artist may have always known especially when he or she was young that they were born to create art.

During their formative years, other people (friends, family members, casual acquaintances, etc.) told them that they had special talent in their chosen medium (drawing, painting, photography, sculpture etc.).

Then like many other artists, they went to college and read about the lives of famous artists throughout the ages and in their naiveté, thought that they were going to leap out of college with countless galleries begging them to sign.

They imagine that their innovative work will be featured in various reputable art publications.

Why they would even have their own star on the walk of art fame!

Hey, sometimes this does happen, but many times it takes several years of hard work, commitment, and contacts to build a successful art career.

Reality hits for the majority of art students.

There’s plenty of competition in college.

All of a sudden, many artists find that they are no longer the center of attention.

Instead they are second best, third best, fourth best in class or maybe they are the least skilled of all of their peers.

Often with academic endeavors there is a constant humbling, a steady chipping away of their once ample self-confidence.

They begin to find out quickly that they don’t know everything there is to know about art.

The more an artist learns, the more they realize how much smarter Jerry Saltz (a leading art critic) is then they are.

After school artists have to focus on building a strong portfolio, gallery submissions and other art related opportunities.

If an artist doesn’t have a mentor or an art world connection, doors grow heavier and more difficult to open.

Family problems, illnesses and financial difficulties can sometimes make creating art more challenging over the years.

At this point, faced with these odds, many talented artists walk away.

Should you?

This is a sad phenomenon, but it doesn’t have to end like this.

People don’t have to kill there art career, they choose to.

Sure, there are several challenges on the road to supporting a healthy art career, but if an artist really loves what they do they will always find an excuse to create even if it is not in the medium in which they started.

Most people start out with Plan A at the beginning of their lives, then after several years of experience move to Plan B, C,  or D.

This is not failure, this is called adaption.

The people that give up after Plan A fails never realize that Plan A, was only one way (one possibility) not the only way.

Plan A may or may not work out for you, but if it doesn’t, know that you are not alone.

Lack of Plan A success has nothing to do with self-worth.

It has nothing to do with the size of your talent.

It is not an indication of your true potential for making a valuable artistic contribution to the world.

You can have an art career in the face of intense adversity, but perhaps it will take a different path, one that’s a little bumpier, a little bit scarier and a lot more rewarding.

Be open to combing your interests, learning something new and applying a myriad of skills to different areas you haven’t explored.

Here are just some of the many options available to artists today:

1) Be Your Own Boss – A gallery may not come knocking on your door right away but you can use many different social media platforms to promote your work. Twitter, Pinterest and Facebook are all helpful tools for artist promotion. People all over the world will see your work. Make sure that you protect your work by copyrighting and watermarking your images. You may also consider selling work over your website to prospective buyers once you have reached your target audience.

2) Pursue Other Art Related Fields – Sometimes, you can seek internships at galleries, work at places that show art or volunteer for a docent program at your local art museum.  This can help put you in the public eye and connect you with people involved with the arts in your community.

3) Write About What You Love – Writing about art can help you approach art in a completely different way. It can help you better understand why other artists create the work that they do. It can help you understand the different movements, trends etc. that are shaping the art world. It can provide an additional source of income.

4) Apply Your Creativity To A Career Unrelated To Art – You might find that you have talent in other areas besides art. Pursuing a career in business, advertising, marketing analysis etc. may provide you with the steady income that will help you produce the art you have always wanted to without worrying about whether or not you can pay the bills. In addition you may find that you can approach other careers with the same creativity that you apply to your art, offering an original perspective that other people cannot.

5) Diversify Your Income – You can increase your income by investigating the many different ways that you can expose your particular brand of art to the public. For instance, you may pursue licensing, or putting you images on cups, post cards, greeting cards etc. Curating shows may offer an extra source of income. If you are great at photography, you might consider charging a fee for photographing the work of others. The possibilities are endless.

Don’t give up your dream; dream more creatively.

Once you consider the many options and avenues that you can pursue, any perceived career limitations fall by the wayside.

How To Get Past Your Insecurities To Produce The Artwork You Love

DSCN5273

Marisa D. Aceves. Rockin’ With Grandma: 60’s Aqua Pattern Punchbowl. digital photography http://acevesart.com/

article by Marisa D. Aceves

Whatever our physical or perceived challenges, we often struggle to get past the world’s expectation of us and our abilities.

Despite our past disappointments, we have all sought refuge in our need to make art out of lifes’ experiences.

What do we do though when the latest idea that we have entertained is immediately shot down by friends, family and colleagues?

Do we give up the projects that excite us the most or do we decide to continue and ignore the opposition?

While people can’t get into our heads to fully understand the scope of our artistic vision, here are some ways to help silence the insecurities that many of us face when we encounter resistance:

1) Suspend Judgement 

Go ahead, create your latest artwork series.  Don’t worry about what others will say or have said in the past. When you worry about what others think, you begin creating the type of art you believe others want to see not necessarily the art you want to create. The resentment builds.  Your art production begins to feel like a chore instead of a privilege.

2) Avoid Over-editing

In the beginning of your process, go ahead and let your ideas and thoughts flow. Work freely and without apologies.  You can sensor yourself later. This will help you to both know and trust the way you work.  Over-editing often leads to indecision.  When indecision occurs, walk away.  Take a brief break. Your work will still be there waiting for you.

3) Leave Peoples’ Opinions With Them

Don’t let other peoples’ opinions about an idea or project you want to pursue keep you from following through. Not everyone will like your work.  While this fact can bore a hole in the most sensitive egos, people have a right to their opinion. This also means you have a right to yours. It’s your work. Your art should express your views and unique insight.  If a person gives constructive criticism, it is solely up to you wether to take it or leave it.

4) Resistance May Be A Sign of  Groundbreaking Work 

In some cases, people may resist because the type of work you are creating is unfamiliar or ahead of it’s time.  Keep pushing yourself.  New work is often initially rejected.  However, over time, it is accepted as the norm. Be patient with yourself and others.

While many of us seek unconditional love and encouragement from our peers, we have to learn to be our own cheerleaders. Don’t wait for someone else to approve. If you do, you may be waiting for a long time.